PRIDE AND PREJUDICE - JANE AUSTEN - 1813
Pride And Prejudice Pdf Book Intro:
Nobody apart from the author herself can ever have found Pride
and Prejudice ‘rather too light, & bright, & sparkling’, as she wrote
in a letter to her sister, but it is certainly all three of these things. Its
lightness comes from its high-spirited invention and its masterfully
contrived comic plot.
Its brightness appears above all in its control
of tone, which permeates the narrative, description and dialogue.
And as for sparkling qualities, they reside in the sustained wit of
the novel, democratically shared between a range of characters, not
forgetting the narrator herself. Too modestly, Jane Austen went on
to tell Cassandra that
it wants shade;—it wants to be stretched out here & there with
a long Chapter—of sense if it could be had, if not of solemn
specious nonsense—about something unconnected with the story;
an Essay on Writing, a critique on Walter Scott, or the history of
Buonaparte—or anything that would form a contrast & bring the
reader with increased delight to the playfulness & Epigrammatism
of the general stile.
1
In reality, as generations of readers have testified, the book has
a wonderful economy of means which incorporates a subtle gradation in moods and veins of feeling. Up to this period, the word
‘contrast’ had served mainly as a technical term in the fine arts:
‘The juxtaposition of varied forms, colours, etc., so as to heighten
by comparison the effect of corresponding parts and of the whole
composition’, as the Oxford English Dictionary puts it..............................................
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